Typically, I've had my fill of apocalyptic horror. Although classics like 28 Days Later along with the initial seasons of The Walking Dead were enjoyable, the genre seems largely depleted nowadays. Even the much-awaited 28 Years Later remains gathering dust in my watchlist for months. But, the platform's latest Southeast Asian zombie flick, The Elixir, succeeded in subvert what I anticipated turning out quite entertaining.
Impressive Pacing and Character Growth
One of the film's greatest strengths lies in the superb pacing. It begins with a striking initial scene where a peaceful family gathering gets suddenly interrupted by a van plows right into the seating section. Out of the van, a very undead-looking stranger stumbles out proceeding attacking the attendees. This intense moment is immediately followed by a look back, giving viewers to observe the family before the tragedy struck.
In contrast to numerous zombie films, The Elixir actually allows the audience sufficient opportunity to become acquainted with its main personalities before the chaos begins. There's Nes, a married mother with a ex close friend, Karina, is now wed to her dad—a clearly uncomfortable dynamic. Naturally, this has understandably led to a falling out between Nes and Karina. We also see her sibling, Bang, described as good-natured but socially awkward, and he enjoys gaming with Nes' young son, Raihan. Her spouse, Rudi, appears to have lately been unfaithful to Nes. The family head consists of Nes' father, the owner of a well-known herbal remedy company named Wani Waras, and who seems focused on only two aspects: his business and his marriage to Nes' former best friend. Needless to say, this gathering proves incredibly tense.
Engaged in the Drama
I found myself so engrossed with this household's issues and their personal conflicts that I nearly overlooked this was a scary movie—which might seem like a drawback, but in the end worked well. The Elixir spends a considerable portion of the film depicting viewers the identity of every family member is, plus the ways they add to the general turmoil. This emphasis on clashing personalities enabled me to connect with the characters sufficiently to be concerned for their fate—a rare accomplishment for this style which frequently introduces individuals only to eliminate them soon after. The Elixir avoids portraying its cast as flat, expendable casualties for an army of zombies to devour, so it's a genuine shock once events eventually go wrong.
Reminiscent of Parasite
The opening scenes of the party and the multiple family interactions actually bring to mind the movie Parasite, a tale that masquerades like a Korean drama with slightly dark humor before taking a sudden shift toward shocking ground. These introductory scenes don't focus as much on comedy compared to Parasite, yet The Elixir still provides enough time to settle into the setting prior to everything gets upended.
Unique Zombification Origin
This movie additionally presents a quite interesting reason for the source of the contagious zombification. Instead of a unintended lab leak or a type of biological weapon, the cause for this infectious condition originates in a new batch from Wani Waras natural medicines created by Nes' father. While we do learn something regarding its origins, I wish the film devoted additional time on how Wani Waras transitioned from a reputable supplier of natural treatments to producing a deadly potion that appears to include a highly contagious pathogen. Regardless of the lack of background, the impact this affliction has on humans is utterly disgusting, which I appreciate. The Elixir's undead prove fast, freaky-looking, and, perhaps worst of all, always smiling. This is a bold choice, but it works. The Elixir's physical effects and computer graphics are also very realistic, and are almost certain to trigger a fear of holes.
Capable Characters
Even better compared to the gross-out scenes are the characters themselves. Of course, we see a few instances of questionable choices (like any any good undead film), however for the most part, Nes and her family show themselves resourceful and sharp. Additionally, they don't hesitate to kick a zombie in the head, stab it with a pitchfork, or beat it over the head with whatever heavy object they find instead of standing still like prey in headlights while danger approaches.
Realistic Family Strike
The Elixir doesn't abandon its themes on family conflict when people start turning into zombies, this proved a welcome realistic subversion from the "We don't get along|"We have issues, but you almost died so I instantly forgive you for everything! cliché often seen in apocalyptic movies. Obviously, Nes loves her relatives and cares about her husband, Rudi, yet it's equally apparent she remains holding onto resentment over his betrayal in their relationship. Once the household becomes split up, they decide via telephone to regroup at a nearby spot. But when Bang admits he is unaware the way to the location, Nes unleashes a massive level of irritation toward Bang which has obviously been building for years. Nes isn't flawless, and her family—flawed as it is—seem authentic and understandable since the movie avoids attempting to promote the idea that nearly dying immediately resolves familial strife. This causes those instances where these individuals do show appreciation toward one another feel far more sincere.
Predictable Ending
In spite of The Elixir's best attempts to innovate, the conclusion must be said to be a bit formulaic. The Elixir isn't really offering up some profound message regarding relatives or society, as well. Rather, it's primarily delivering frights. Yet these are successful scares, and since the movie allows every personality sufficient space to grow and doesn't punish them for having flaws, the outcome is a captivating and entertaining
